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Books
Art and Design
Computer Graphics and Visualization (CS)
Philosophy of Vision
Popular Readings
Vision Science
Visual Culture
Visual Literacy
Books on the history, theory, and execution of
design. Our current list covers chiefly graphic design.
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<designing
web graphics.4>: the definitive guide to web design and development
Lynda Weinman, New Riders
Press, 2002
One of the classics on Web design.
Contains lots of useful information on everything from file resolution
to layout.
http://www.lynda.com/mission/
* Envisioning
Information Edward R.
Tufte, Graphics Press, 1990
Tufte shows good and bad examples of
information design (including time-based and computer-based examples)
and provides principles and analysis of successful information design.
Self-published, extraordinary production value.
http://www.edwardtufte.com/tufte/books_ei
Experiences
in Visual Thinking Robert
H. McKim, Brooks/Cole Publishing Company, 1980
Based on McKim's pioneering visual
thinking course at Stanford, the book is "a manual of alternative
strategies for expanding the power and range of your thinking."
Standard perceptually-based visual thinking exercises from
"right-brain" (e.g., upside down drawing) to
Gestalt-inspired (e.g., patterns grouping).
How to Lie
with Charts Gerald Jones,
iUniverse, 2000
The title refers to the classic
"How to Lie with Statistics." This publication focuses on
charts and is relevant to both producers and users of them.
http://www.iwosc.org/showcase_gerald.html
* Information Visualization: Perception for Design Colin Ware,
Morgan Kaufmann, 2004
A
great book applying perceptual research to visualization design.
Readable by non-technical people, but aimed chiefly at CS folk doing
scientific visualization. Interesting first chapter on semiotics and
viz design. http://www.ccom.unh.edu/vislab/CWBio.html
The NEW Drawing on the Right Side of the Brain
Betty Edwards, Putnam Publishing Group; Revised and Expanded edition (September 1, 1999)
The classic book on learning how to draw using negative spaces to force the brain to see actual details.
http://www.drawright.com/
The NEW Drawing on the Right Side of the Brain Workbook: Guided Practice in the Five Basic Skills of Drawing Betty Edwards, Jeremy P. Tarcher (October 1, 2002)
Guided practice in the use of Drawing on the Right Side of the Brain principles.
* The
Non-Designer's Design Book Robin
Williams, Peachpit Press, 2003
Covers essential principles of good
design and typography for novices. Exceptionally clear organization
and writing, with visual examples of each point and suggested
exercises.
http://www.ratz.com/robin/toc.html
A Primer
of Visual Literacy Donis
A. Dondis, MIT Press, 1973
A classic text with highly outdated
formatting and typesetting. Get beyond this to read thoughtful
coverage of what makes a visual message and how to become adept at
visual communication. Nice exercises. Covers all the basics as taught
in the 1970s.
http://arts.uwaterloo.ca/~ipederse/Dondis.htm
The
Scientific Image Harry
Robin, W. H. Freeman and Co, 1993
The author views scientific
illustration as a record of our attempt to notate and make sense of
the world around us as well as an interesting window "into the
historic interplay of science, art, and culture." Contains useful
classifications of image types.
Understanding
Comics Scott McCloud,
Kitchen Sink Press, 1993
A 215-page comic book about comics
that explains the inner workings of the medium and examines many
aspects of visual communication along the way. OK, I haven't read it,
because I dislike comics, but it gets raves from many people I know.
http://www.scottmccloud.com/
* The Visual
Display of Quantitative Information Edward R. Tufte, Graphics Press, 2001
The classic book on statistical
graphics, charts, tables, including theory & practice in the
design of data graphics, illustrations of the best (and a few of the
worst) statistical graphics, with detailed analysis of how to display
data.
http://www.edwardtufte.com/tufte/books_vdqi
* Visual
Explanations Edward R.
Tufte, Graphics Press, 1997
"Visual Explanations" is
about pictures of verbs, the representation of mechanism and motion,
process and dynamics, causes and effects, explanation and narrative.
More classic Tufte, more great production values.
http://www.edwardtufte.com/tufte/books_visex
Visual
Literacy: A Conceptual Approach to Graphic Problem solving Judith Wilde and Richard Wilde, Watson-Guptill
Publications, 2000
Good source of design exercises.
VizAbility:
Change the Way You See the World Kristina Hooper Woolsey, Scott Kim, and Gayle
Curtis, Course Technology, 2004
Conceived as a companion to Robert
McKim's book, this text provides methods for visual thinking, from
general awareness to drawing and diagramming. Includes many exercises.
http://www.scottkim.com/
http://www.course.com/catalog/product.cfm?category=Multimedia&subcategory=Other&isbn=0-534-49456-0
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Electronic Color
Richard Norman, Van Nostrand Rheinhold,
1990
A Field Guide to Digital Color
Maureen Stone, A.K. Peters,
2003
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A somewhat eclectic group of basic books on computer graphics and
visualization.
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The Algorithmic Beauty of Plants Przemyslaw
Prusinkiewicz and Aristid Lindenmayer, Springer-Verlag, 1990
The first comprehensive volume on the computer simulation of plant development, containing a full account of the algorithms used to model plant shapes and developmental processes, Lindenmayer systems in particular.
http://pages.cpsc.ucalgary.ca/~pwp/
* Computer Graphics: Principles and Practice James D.
Foley, Andries van Dam, Steven K. Feiner, and John F. Hughes,
Addison-Wesley Professional, 1995
While
somewhat dated, this is still the standard reference in the field. Can
be tough going for beginners, but offers comprehensive coverage that
is thorough, detailed, and correct.
http://www.cs.brown.edu/courses/cs123/
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Information
Visualization: Perception for Design Colin Ware, Morgan Kaufmann, 2004
A great book applying perceptual
research to visualization design. Readable by non-technical people,
but aimed chiefly at CS folk doing scientific visualization.
Interesting first chapter on semiotics and viz design.
http://www.ccom.unh.edu/vislab/CWBio.html
* Readings
in Information Visualization: Using Vision to Think Stuart K. Card, Jock D. Mackinlay, and Ben
Shneiderman, Morgan Kaufmann, 1999
Defines the emerging field of
information visualization and offers the first-ever collection of the
classic papers of the discipline, with introductions and analytical
discussions of each topic and paper.
http://www.cs.umd.edu/class/spring2001/cmsc838b/
* The
Computer in the Visual Arts Anne
Morgan Spalter, Addison-Wesley Professional, 1999
A comprehensive introduction to the
computer in the visual arts that integrates technical concepts, art
history, and art theory. Includes history. Written for a non-technical
audience.
http://www.cs.brown.edu/people/ams/digiart/
The
Reconfigured Eye William
Mitchell, , 1992
A wonderful introduction to computer
graphics, its potential for artists, and relevant theoretical concerns.
No technical background in CS required.
http://mitpress.mit.edu/catalog/item/default.asp?tid=6171&ttype=2
Visual
Computing Richard Mark
Friedhoff and Mark S. Peercy, W H Freeman & Co, 2000
An interesting, often
thought-provoking look at computer graphics. This book examines how
and why visual computing is having such a broad impact on our lives.
Draws on concepts from computer science, vision and cognitive science,
and the visual arts.
http://www.whfreeman.com/generalreaders/book.asp?disc=TRAD&id_product=1058000827&@id_course=1058000243
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* Information Visualization: Perception for Design
Colin Ware,
Morgan Kaufmann, 2004
A
great book applying perceptual research to visualization design.
Readable by non-technical people, but aimed chiefly at CS folk doing
scientific visualization. Interesting first chapter on semiotics and
viz design.
http://www.ccom.unh.edu/vislab/CWBio.html
* Readings
in Information Visualization: Using Vision to Think Stuart K. Card, Jock D. Mackinlay, and Ben
Shneiderman, Morgan Kaufmann, 1999
Defines the emerging field of
information visualization and offers the first-ever collection of the
classic papers of the discipline, with introductions and analytical
discussions of each topic and paper.
http://www.cs.umd.edu/class/spring2001/cmsc838b/
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Books drawing on traditional philosophy to discuss visual thinking and
visual culture.
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Language, Thought, and Reality: selected writings
Benjamin Lee Whorf, The MIT Press, 1964
Whorf a chemical engineer, worked as a fire prevention consultant and did original work in linguistic anthropology. He remains best known for advocating that the structure of language not only reflects but influences our world view and behavior.
http://mtsu32.mtsu.edu:11072/Whorf/
Philosophy
in a New Key Susanne K.
Langer, Harvard University Press, 1957
This book covers many topics:
language, sacrament, myth, music, abstraction, fact, knowledge--to
name only the main ones. But through them all goes the principal
theme, symbolic transformation as the essential activity of human
minds.
http://www.hup.harvard.edu/catalog/LANPHI.html
The
Poetics of Space Gaston
Bachelard, Beacon Press, 1986
The classic book on how we experience
intimate spaces in our homes, how we live in them, and how dwellings
and space affect us; a book of philosophy as well as a work of serious
literature.
http://www.bartleby.com/65/ba/Bachelar.html
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A short list of books that have predicted future visual trends, from cyberspace to implants.
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Count Zero William
Gibson, Ace Books, 1987
A
stylish, streetsmart, frighteningly probable parable of the future; a
sequel to Neuromancer
[Gibson 1987] William Gibson. Count Zero. Ace
Books, ISBN: 0441117732.
The
Diamond Age: Or, a Young Lady's Illustrated Primer Neal Stephenson, Bantam Books, 2000
Stephenson's fourth solo novel, set
primarily in a far-future Shanghai at a time when nations have been
superseded by enclaves of common cultures ("claves"),
abundantly justifies the hype that surrounded Snow Crash, his first
foray into science fiction.
Mona Lisa
Overdrive William Gibson,
Bantam, 1989
This novel completes the cyberpunk
series of Neuromancer and Count Zero , following the lives of some of
the characters from the previous books but can stand on its own.
Neuromancer
William Gibson, Ace Books,
1995
Here is the novel that started it
all, launching the cyberpunk generation, and that was the first novel
to win the holy trinity of science fiction: the Hugo Award, the Nebula
Award and the Philip K. Dick Award.
Snow Crash
Neal Stephenson, Bantam,
2000
From the opening line of his
breakthrough cyberpunk novel Snow Crash, Neal Stephenson plunges the
reader into a not-too-distant future, weaving virtual reality,
Sumerian myth, and just about everything in between.
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The visual in everyday life.
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blink: The
Power of Thinking Without Thinking
Malcom Gladwell, Perennial, 2002
In addition to many scary facts about
the fast foods' business, this book has a lot of material on the
visual components of the advertising strategies used by fast food
chains and their extraordinary success in establishing the brand
identity of these franchised venues.
http://www.gladwell.com/
Fast Food Nation
Eric
Schlosser, Perennial, 2002
In
addition to many scary facts about the fast foods' business, this book
has a lot of material on the visual components of the advertising
strategies used by fast food chains and their extraordinary success in
establishing the brand identity of these franchised venues.
http://www.powells.com/authors/schlosser.html
Reading
People Jo-Ellan Dimitrius
and Mark Mazzarella, Ballantine Books, 1999
You can gather a great deal of
information about people from they way they look (clothing, hair,
jewelry, etc.), but we often don't act on what we see because we
aren't consciously observant and are blinded by what we want to
see/believe.
http://www.lacba.org/showpage.cfm?pageid=244
The
Tipping Point Malcolm
Gladwell, Back Bay Books, 2002
The Tipping Point presents a new way
of understanding why change so often happens as quickly and as
unexpectedly as it does. Relevant to rise of computer-mediated visual
communication and need for visual literacy.
http://www.gladwell.com/
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Technical readings or books with a mixture of approaches that draw on
perception and other areas of vision science.
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Animals in Translation : Using the Mysteries of Autism to Decode Animal Behavior
Temple Grandin and Catherine Johnson, Scribner, 2005
Temple Grandin's professional training as an animal scientist and her history as a person with autism have given her a perspective like that of no other expert in the field. Standing at the intersection of autism and animals, she offers unparalleled observations and groundbreaking ideas about both.
http://www.grandin.com/;
http://www.templegrandin.org/;
http://www.autism.org/temple/visual.html
blink: The Power of Thinking Without Thinking
Malcom
Gladwell, Perennial, 2002
In
addition to many scary facts about the fast foods' business, this book
has a lot of material on the visual components of the advertising
strategies used by fast food chains and their extraordinary success in
establishing the brand identity of these franchised venues.
http://www.powells.com/authors/schlosser.html
* The
Ecological Approach to Visual Perception James J. Gibson, Lawrence Erlbaum Associates,
1987
Gibson's revolutionary (at the time)
theories describing the role of perceptual systems from an ecological
(read evolutionary) perspective have had enormous influence on
thinkers in fields from industrial design to cognitive psychology.
How the
Mind Works Steven Pinker,
W.W. Norton & Company, 1999
A handbook for the lay person that
includes a great chapter on the visual system. As always, Pinker is
engaging and provocative. You may not agree with everything he writes,
but you won't be bored.
Inner
Vision: An Exploration of Art and the Brain Semir Zeki, Oxford University Press, 2000
Inner Vision uses findings in brain
science to addresses the questions: What is it that makes a work of
art appear to us as beautiful? How do external form and internal
perception coalesce to create the distinctive aesthetic pleasures we
look for in the visual arts? No technical knowledge required.
Inversions
: a catalog of calligraphic cartwheels Scott Kim, Key Curriculum Press, 1996
Inversions are words that can be read
right side up, upside down and every which way. This book represents
the fruits of an imaginative design obsession and introduces the basic
concepts of symmetry through 60 lettering designs by Scott Kim.
http://www.scottkim.com/inversions/
The Man
Who Mistook His Wife for a Hat Oliver Sacks, Touchstone, 1998
Dr. Sacks recounts the case histories
of patients lost in the bizarre, apparently inescapable world of
neurological disorders, many affecting the visual system.
http://www.oliversacks.com/hat.htm
* The
Psychology of Graphic Images: Seeing, Drawing, Communicating Manfredo Massironi, translated by Nicola Bruno,
Lawrence Erlbaum Associates, 2001
This is a very cool book with all
kinds of interesting thoughts integrating graphical communication and
perception. Includes taxonomy of all types of drawing and many good
exercises. Marred by poor copyediting.
http://psico.univr.it/ephp/ricerca/manfredo.htm
Thinking In Pictures
Temple Grandin, Vintage, 1996
"I think in pictures. Words are like a second language to me. I translate both spoken and written words into full-color movies, complete with sound, which run like a VCR tape in my head. When somebody speaks to me, his words are instantly translated into pictures." - Temple Grandin
http://www.grandin.com/;
http://www.templegrandin.org/;
http://www.autism.org/temple/visual.html
* Visual
Intelligence: How We Create What We See Donald D. Hoffman, W. W. Norton & Company,
1998
This book discusses 35 perceptual
rules that the mind/brain learns and uses to interpret the visual
world, such as "light sources move slowly" and "choose
figure and ground so that figure has the more salient part
boundaries." Ends with provocative philosophical chapter.
http://www.socsci.uci.edu/~ddhoff/
* Vision
Science: Photons to Phenomenology Stephen E. Palmer, Bradford Books, 1999
An incredible resource:
comprehensive, clearly and engagingly written, and incorporating new
research in cognitive neuroscience, cognitive psychology, and computer
science/computer vision. Takes you from the retina to consciousness.
* Visual
Intelligence: How We Create What We See Donald D. Hoffman, W. W. Norton & Company,
1998
This book discusses 35 perceptual
rules that the mind/brain learns and uses to interpret the visual
world, such as "light sources move slowly" and "choose
figure and ground so that figure has the more salient part
boundaries." Ends with provocative philosophical chapter.
http://www.socsci.uci.edu/~ddhoff/
* Visual
Thinking Rudolf Arnheim,
University of California Press, 2004
Arnheim asserts that all thinking
(not just thinking related to art) is basically perceptual in nature,
and that the ancient dichotomy between seeing and thinking, between
perceiving and reasoning, is false and misleading.
http://astro.temple.edu/~iversteg/Arnheim.html
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aka "theory" Books. Includes selections inspired by a range of
frameworks and disciplines, from semiotics to sociology and general
postmodernism.
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* Camera
Lucida Roland Barthes,
Hill and Wang, 1981
This book applies Barthes'
perceptiveness and associative insight to the subject of photography,
and includes black-and-white photos by the Avedon, Clifford, Hine,
Mapplethorpe, Nadar, Van Der Zee, and others.
http://www.press.jhu.edu/books/hopkins_guide_to_literary_theory/roland_barthes.html
Downcast
Eyes: The Denigration of Vision in Twentieth-Century French Thought Martin Jay, University of California Press, 1994
Vision has increasingly been
critically scrutinized by a wide range of thinkers who question its
dominance in Western culture and challenge its allegedly superior
sensory capacity as well as its political and social implications.
http://www.ucpress.edu/books/pages/6147.html
Frames of
Mind: The Theory of Multiple Intelligences Howard Gardner, Basic Books, 1993
Howard Gardner's thesis that there
are at least seven kinds of intelligences, including visual-spatial in
addition to the more commonly known mathematical and logical. Argues
for an integrated approach to education in general.
http://www.pz.harvard.edu/PIs/HG.htm
Handbook
of Visual Analysis Theo
van Leeuwen and Carey Jewitt, SAGE Publications, 2001
The Handbook of Visual Analysis is a
methodological resource for students, academics, researchers and
professionals interested in investigating the visual representation of
socially significant issues. Focuses on "real world" visual
phenomena vs. photographs.
* Iconology:
Image, Text, Ideology W.
J. Thomas Mitchell, University of Chicago Press, 1987
Explores the relationships between words
and images through analysis of writings by Nelson Goodman, Ernst
Gombrich, Lessing, and Edmund Burke (de rigueur Marxist material
also). Includes superb introduction..
In Praise
of Shadows Junichiro
Tanizaki, Leete's Island Books, 1977
This cult classic explores the
Japanese appreciation for shadows and nature-based arts and suggests
that these inclinations came from practical origins. You will never
look at a lacquered object the same way again.
http://www.kirjasto.sci.fi/tanizaki.htm
An
Introduction to Visual Culture Nicholas Mirzoeff, Routledge, 1999
A cultural-theory introduction to the
history and theory of visual culture that explains the growth of the
importance of visual culture in modern society.
http://www.art.sunysb.edu/faculty/mirzoeff.html
Language,
Thought, and Reality: selected writings Benjamin Lee Whorf Benjamin Lee Whorf, The MIT Press, 1964
Whorf a chemical engineer, worked as
a fire prevention consultant and did original work in linguistic
anthropology. He remains best known for advocating that the structure
of language not only reflects but influences our world view and
behavior.
http://mtsu32.mtsu.edu:11072/Whorf/
Mythologies
Roland Barthes, Hill and
Wang, 1972
Barthes' interest in the meaning, aka
signification, of words and objects includes cultural use as signs in
addition to linguistic semantics. Mythologies explores, in a series of
essays, the hidden meanings underlying common phrases and objects.
* On
Photography Susan Sontag,
Delta, 2001
Deserves its "classic"
status. If you're making or writing about photographs, don't reinvent
the wheel--read this book. "In teaching us a new visual code,
photographs alter and enlarge our notions of what is worth looking at
and what we have a right to observe. They are a grammar and, even more
importantly, an ethics of seeing."
http://www.susansontag.com/onphotographyexcrpt.htm
Picture
Theory : Essays on Verbal and Visual Representation W. J. Thomas Mitchell, University of Chicago
Press, 1995
What precisely are pictures (and
theories of pictures) doing now, in the late twentieth century, when
the power of the visual is said to be greater than ever before, and
the "pictorial turn" supplants the "linguistic
turn" in the study of culture?
Reading
Images: The Grammar of Visual Design Gunther R. Kress and Theo van Leeuwen,
Routledge, 1995
A sociocentric approach to the ways
in which images communicate meaning. "Reading Images"
provides a systematic and comprehensive account of the grammar of
visual design, drawing on an enormous range of examples.
http://www.cardiff.ac.uk/encap/staff/vanleeuwen.html
Researching
the Visual, Images, Objects, Contexts and Interactions in Social And
Cultural Inquiry Michael J
Emmison and Philip D Smith, SAGE Publications, 2000
This book provides an introduction to
the entire field of visual research, reviews the contributions as
diverse as semiotics, ethnomethodology, symbolic interactionism and
material culture studies, and demonstrates their potential
applications.
http://www.sagepub.com/authors.aspx?aid=514123
* Survival
of the Prettiest : The Science of Beauty Nancy Etcoff, Doubleday, 1999
The first in-depth scientific inquiry
into the nature of human beauty posits that beauty is an essential and
ineradicable part of human nature, and not the direct result of modern
media's portrayal of women.
http://www.nmr.mgh.harvard.edu/NewFiles_Staff/etcoff_nancy.html
The
Reconfigured Eye William
Mitchell, , 1992
A wonderful introduction to computer
graphics, its potential for artists, and relevant theoretical
concerns. No technical background in CS required.
http://mitpress.mit.edu/catalog/item/default.asp?tid=6171&ttype=2
The Rise
of the Image, The Fall of the Word Mitchell Stephens, Oxford University Press, 1998
Video and motion-based visuals have
never received higher praise. Fascinating review of historical suspicion
of writing. Neil Postman look out.
http://www.nyu.edu/classes/stephens/rise%20of%20the%20image%20page.htm
A Theory of Semiotics
Umberto Eco,
Indiana University Press, 1979
Eco
attempts to develop semiotics to describe everything. Didn't make it
all the way through and remain deeply skeptical of whole project.
http://en.wikipedia.org/wiki/Umberto_Eco
Visual
Intelligence: Perception, Image, and Manipulation in Visual
Communication Ann Marie
Seward Barry, State University of New York Press, 1997
Lots of great proof (via real studies
and functional MRI use) that demonstrate the extraordinary power of
images, as well as some idea of how they exert this power.
http://www.bc.edu/schools/cas/communication/faculty/fulltime/barry/
* Visual
Methodologies: An Introduction to the Interpretation of Visual
Materials Gillian Rose,
SAGE Publications, 2001
A clearly-written and engaging
overview of a range of visual research methods, including content
analysis, semiotics, discourse analysis and more. Some sociology bias,
but terrific intro text. Undergraduate level.
http://www.socsci.uci.edu/~ddhoff/
* Visual
Studies, A Skeptical Introduction James Elkins, Routledge, 2003
Elkins summarize past and present
influences and camps in the field of visual studies (aka culture
studies) and bravely describes where he thinks things have gone
astray. Ends with concrete suggestions for shoring up the academic
integrity of this important discipline. Should be required reading for
anyone teaching "theory."
http://www.jameselkins.com/
* Visual
Thinking Rudolf Arnheim,
University of California Press, 2004
Arnheim asserts that all thinking
(not just thinking related to art) is basically perceptual in nature,
and that the ancient dichotomy between seeing and thinking, between
perceiving and reasoning, is false and misleading.
http://astro.temple.edu/~iversteg/Arnheim.html
* Ways of
Seeing John Berger et al.,
Penguin Books, 1995
Cult classic. One of the few visual
thinking books that creatively uses images. Ignore Marxist overtones
throughout and read!
http://www.litencyc.com/php/speople.php?rec=true&UID=380
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A narrowly defined category consisting of books for visual novices and
for teachers of visual literacy.
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Visual
Literacy: A Conceptual Approach to Graphic Problem solving Judith Wilde and Richard Wilde, Watson-Guptill
Publications, 2000
Good source of design exercises.
VizAbility:
Change the Way You See the World Kristina Hooper Woolsey, Scott Kim, and Gayle
Curtis, Course Technology, 2004
Conceived as a companion to Robert
McKim's book, this text provides methods for visual thinking, from
general awareness to drawing and diagramming. Includes many exercises.
http://www.scottkim.com/
http://www.course.com/catalog/product.cfm?category=Multimedia&subcategory=Other&isbn=0-534-49456-0
Visual
Language: Global Communication for the 21st Century Robert E. Horn, MacroVU Press, 1999
Horn argues that there is a new
"language" in play which consists of images and words fully
integrated and working together. Worth reading even though he suffers
from a delusion that one can illustrate a visual thinking book
effectively with clip art.
http://www.stanford.edu/~rhorn/
* Visual
Literacy: Learn to See, See to Learn Lynell Burmark, Association for Supervision
& Curriculum Development, 2002
A clearly written, practical,
effective book on using visuals in education. Great resource for
teachers, especially the section on PowerPoint.
* Visual
Studies, A Skeptical Introduction James Elkins, Routledge, 2003
Elkins summarize past and present
influences and camps in the field of visual studies (aka culture
studies) and bravely describes where he thinks things have gone
astray. Ends with concrete suggestions for shoring up the academic
integrity of this important discipline. Should be required reading for
anyone teaching "theory."
* Ways of
Seeing John Berger et al.,
Penguin Books, 1995
Cult classic. One of the few visual
thinking books that creatively uses images. Ignore Marxist overtones
throughout and read!
http://www.litencyc.com/php/speople.php?rec=true&UID=380
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